Author: Rinko

Oldboy brought Korean 업소알바 thrillers to the attention of international audiences and is considered one of the best groundbreaking films in the genre. In it, two of the best actors in contemporary Korean cinema — Lee Byung Hoon (Bittersweet Life) and Choi Min Sik (Oldboy) — come face to face as a secret service agent embarks on a relentless search for the sadistic serial killer who killed she is his pregnant girlfriend. Based on the webtoon of the same name, a Korean manwa, the film follows the death of protagonist Kim Ja Hong (Cha Tae Hyun), who has a chance to be resurrected if he successfully faces trials.

Based on the true story, the upcoming Netflix series starring Park Hae-soo follows a businessman’s life-threatening journey as he becomes involved in a covert operation by South Korea’s National Intelligence Service to arrest a South Korean drug lord in the South. America. The Korea Today Star reported on this in May. The Netflix original series “Poison King” stars two South Korean actors: Song Kang-ho, Bong Joon-ho’s most frequent collaborator, starred in hits like “Snowpiercer” and “Parasite,” while Bae Doo-na starred in hits Netflix series Sense8 and the Kingdom.

Lee is also starring in the film with the great Korean actor Jung Woo Sung, who is the executive producer of the aforementioned Netflix’s The Pacific Sea. The new series, which is set to air in 2022 according to Variety, also stars a number of other well-known actors, including Shin Min-ah (of Netflix’s Hometown of Cha-Cha and other Korean dramas) and Cha Seung-won. (Night). In Paradise on Netflix and many other Korean movies and series). If you’re looking for the classic detective thriller that South Korean filmmakers are known for, then the Netflix original Night in Paradise is a great choice.

Kim Ji-woons Best Movie is a horror film based on an ancient Korean folk tale about two children fighting a beautiful but evil stepmother (Yom Jung-ah). This classic Korean movie is about work-obsessed and divorced father Seok-woo, whose birthday dream is to spend the day with her mother in Busan. The film mostly takes place on the train, although for 117 minutes you will be fascinated by how father and daughter try to survive along with other passengers. Described by Netflix as “quirky, vulgar and romantic”, this 2015 film is about foreign-raised Korean teenagers who travel to Seoul to learn about their cultural heritage at a government-run summer camp.

Set in 1986, the film follows the coming of age of teenagers as well as their struggles with issues such as race and identity. In the center of the plot are three Buddhist monks: an orphan boy Hae Jin, a young monk Kibong and a Zen master Hye Gok. The film is more mediation, an exploration of Buddhism and the true path of realization.

The movie also does a great job of nostalgic reflection of the 80s (despite the fact that the real president of South Korea in the 80s probably spent more effort killing people than getting random letters). Train to Busan (see below) was a hit that opened up new possibilities for special effects in South Korean films, but I think Kim Sung Hoon’s zombie movie is the best, with a more fleeting pace and better developed characters, not to mention The action takes place in time Joseon Dynasty, which makes the film more interesting to watch. With one of the best Korean actors and a gift to the film industry as a whole, Song Kang-ho as the main character in Taxi Driver (2017), it’s no surprise that the film has quickly become one of the most popular Korean films. Hong Sang Soo’s films aren’t the most accessible, but it’s easier if you think of this movie as a version of Sliding Doors, where a famous director (Jung Jae Young) comes to a festival in a small Korean town and gets the chance to meet a young woman (Kim Min Hee) leads to both unhappiness and happiness.

Bong Joon-Hosa’s masterpiece is one of the best Korean films of the century, and perhaps of all time. South Korean cinema finally got its due when Bong Joon Hos Parasite won the Palme d’Or at Cannes and the Oscar for Best Picture in 2019. Park Chang Wook, Bong Joon Ho, Yong Sang Ho and Lee Chang Dong.

Now, viewers around the world are also drawn to South Korean TV shows, with “Squid Game” and “Hell’s Realm” becoming Netflix hits. Netflix has a pretty good selection of Korean content, including 35 movies and 179 TV shows, including several Netflix originals. So, if you’re looking for a movie to watch on Netflix, check out 15 great Korean movies the streaming platform has to offer. Luckily, if you’re looking for other great movies to watch after Parasite, we’ve rounded up some of the best Korean movies you can watch to immerse you in the truly amazing world of Korean cinema.

For beginners who want to immerse themselves in South Korean films, here are five more must-see films that will offer the same kick as Parasite in front of an international audience. Check out the best Korean movies of 2021 in genres like action, romance and horror, with stars like Seo Ye Ji, Yuna, Byun Yo Han, Jo In Sung and more. As 2021 draws to a close, let’s take a look at some of the best Korean dramas coming out and Korean movies coming up in 2022. Korean movies I’ve been watching since the turn of the millennium, so here’s an addition to my beginner’s guide to movies from that country.

The country continues to produce hits, and while Korean makers are clearly adept at creating certain genres such as psychological thrillers and zombie films, there are plenty of great Korean films of all genres. From classics like “Train to Busan” to more recent titles like “Tune in for Love,” Korean movies like Korean dramas offer an escape into worlds with tense twists and gaudy scenes (which we love). While many Korean films tend to be dramas and thrillers, there are also some very well-made fantasy films that have become cult favorites in the Korean market.

South Korean films began to gain international attention in the 2000s, thanks in part to director Park Chan-wook, whose film “Old Boy” (2003) won the 2004 Cannes Film Festival and was garnered by critics including Quentin Tallon. Praise from American directors including Tino and Spike. plum. , the latter directed the remake of Old Boys (2013). The biggest name in the Korean film industry remains Park Chang-wook, thanks to his international success, which has opened Korean cinema to directors who make genre films aimed at domestic and international festival audiences. So while Bong Joon-ho and Kim Ji-woon are Park’s contemporaries and started making films around the same time, it’s fair to say that Park is the name that created the iconic Korean director and can therefore be seen as an influence. An entire generation. We selected these 11 Korean films based on their storytelling abilities, entertainment value, and social relevance.

Japan 룸알바 News is Regarding “The Envelope”, Gregory Elwood interviewed Sorrentino. Sorrentino talked about the reaction to the film: “I am very happy that this film is well received because it is obviously a movie that is far from me. A very recent movie. It is the best movie. An important movie I have ever made. Earlier this year, I spoke with Nekrasova at the premiere of the Berlin International Film Festival, where he won the Best First Film Award .

In late November, he overtook the American blockbuster Titanic, and on Monday won first place in Hayao Miyazakis’s 2001 film Spirited Away. The Demon Slayer: Mugen Train not only broke records in Japan, but also became the biggest discovery for all films in the world. According to media reports, the film was the first film to gross 10 billion yen ($ 96 million) in Japan within 10 days of its release, and the second highest grossing film in just 45 days. The first film based on the Gega Akutamis manga premiered in Japan on December 24, and in its first weekend alone, it earned a whopping $ 23.5 million, just under the $ 29.3 million that World Heroes Mission earned in its entire theatrical circulation.

Director Goro Miyazaki, son of anime master Hayao, premiered the film on public broadcaster NHK last December. The film is a limited edition and will air on Netflix on December 15th. Sorrentino will appear at the American cinema Cinematheques Aero on December 10 as part of a series about his films.

For The Times, Robert Abel wrote: “New films can be about one lesson or many. But part of the greatness of his films lies in the fact that they can also be loved by viewers who never feel the dark current below. Akira Emoto plays 70s stoic Toichi, an old man who recalls (in Japanese with English subtitles) that it took him “three days to learn the oar, but three years” to master the shaft of the oar he uses to get his baby, flat-bottomed boat and forward across the river.

The film confines his story to life on and on the water, with brides or children who cross paths with him, and an old friend who takes a final journey to satisfy his death wish. The actor-turned-director Joe Odagiri (Tokyo Drift) keeps the pace slow, serene and brooding. The film is interesting for the guys from Kurupt FM after their pirate radio station closed, and at first life seems much calmer.

They’re filming They Say Nothing Stays The Same, much more than the sermon Stop and Smell the Chrysanthemums, a captivating film, timeless that makes up for whatever entertainment the director dreams of for this ferryman on his last voyage. Ozu’s deeply human drama and Kurosawa’s action-movie big bang are certified fresh, which means they’ve kept the 75% mark after at least 40 critical reviews. This is the only Ozu film in our guide to certified fresh Japanese films (although many of his films are currently 100% below the minimum viewing threshold), while Kurosawa appears five more times with Rasomon, Ikiru, Throne of Blood, Youjimbo, and Ran. While four of the top ten films were anime, two other films were based on manga.

Live Action Tokyo Revengers was the highest grossing non-anime film of the year, grossing approximately 4.47 billion yen. As cinemas around the world struggle to survive, viewers in Japan are helping to break box office records. Anime was one of Japan’s largest entertainment exports, most notably Hayao Miyazaki’s films (Spirited Away, Princess Mononoke).

Toho’s Golden Week line, Japan’s largest distributor, offers homemade meals for the whole family, such as the latest episodes of the anime series Detective Conan (April 16, 2021) and Crayon Shinchan (Friday), as well as Aya and the Witch. “.” (April 29), Studio Ghibli’s first full 3D CG animation. The movie is currently available on Amazon Prime in Japanese, English, and many other languages. The upcoming film, however, is not the first live-action adaptation.

In Japan, the 24-episode anime TV series will air from October 2020 to March 2021. The action movie xxxHolic will be released nationwide in Japan on April 29, 2022. The xxxHolic manga will be produced by the Clamp art collective. into a live adaptation starring Ryunosuke Kamiki.

Makoto Shinkai announced in Tokyo on Wednesday that this new Japanese film will be named Suzume no Tojimari. Suzume is the name of a 17-year-old girl in the movie, and tojimari literally means to close the door. Makoto Shinkai said that this movie will represent the liberation and rise of Lingmei.

A trailer for the movie was first released in May, teasing in what seems like a fun adventure as Grinda and his gang seek a record deal as they struggle to adapt to a completely different culture. The first trailer for the film was released in May 2021, and it looks like Grinda and company have lost nothing in their ambitions since the closure of their pirate radio station.

The good news for fans of the show is that all the major stars have returned to the film. While the cast will introduce some new characters such as Yuta, the film will also feature other famous faces from the series, such as Saturo Gojo and others from the Jujutsu High School.

Jujutsu Kaisen was the best-selling manga of the year in Japan and is currently one of the most popular entertainment venues in the country. According to a new report from Anime News Network, Kaisen 0’s jujutsu earned about $ 23.5 million in its first three days. This means that Yuta and his classmates were able to win a lot of theater audiences over the holiday weekend, which is why the Kaisen 0 jujutsu won first place at the box office in Japan.

Japanese film website Eiga has compiled a list of the top ten highest grossing films of the year in the country. Ahead of the Tokyo International Film Festival 2021, which runs from October 30 to November. 8, The Hollywood Reporter asked Ichiyama to select 10 half-forgotten Japanese films from the past five years that he believes all movie fans should watch.

For the first time in 15 years, the Tokyo International Film Festival 2021 programs have been shaped by a new cinematic perception. Ichiyama previously chaired Tokyo Filmex, a festival that was once a rival to the Tokyo International Film Festival but has recently become an ally and the two are now being held simultaneously in the Japanese capital.

Ichiyama rates this “portrait of a woman facing the injustice of modern Japanese society” as “possibly Koji Fukada’s best film to date,” said last year’s Director in Focus in Tokyo. Unusually for a Japanese indie film, the title was filmed entirely in Thailand. Japan Academy Award nominee for Ryusuke Hamaguchis’s International Feature Film, Riding My Car, is a screen version of Haruki Murakami’s short story, which won this year’s Screenplay Award at the Cannes Film Festival and was just named New York’s Best Film of the Year. Film Circle of Critics.

Japan 밤알바 History is Many Japanese manufacturers would have applied his methods, essentially creating the huge tech industry that Japan is famous for. The most famous Japanese filmmaker of all time was very active during this period. In the post-war period, four of the greatest directors in the history of Japanese cinema grew up: Akira Kurosawa, Kenji Mizoguchi, Yasujiro Ozu, and Masaki Kobayashi. These filmmakers have reinvented and revitalized traditional genres, and helped overcome the country’s longstanding emotions through dark and immersive films.

Mifune and Kurosawa, one of the greatest collaborations between actors and directors, took the Japanese film industry onto the world stage with Rasomon in 1950, ushering in what would become the golden age of Japanese cinema. The historic release of 40-year-old Akira Kurosawa, Rasomon is hailed as the film that drew worldwide attention to Japanese cinema and its star Toshiro Mifune after its presentation at the 1951 Venice Film Festival, where it won the Lion Gold. … It was the first film in Ozus’s famous Noriko trilogy, which also included Early Summer 1951 and Tokyo Story 1953.

His unexpected critical and international success has made Takeshi Kitano one of the most popular filmmakers in the country. It is the highest-grossing film in Japanese history and has become an international phenomenon. The film brought Kurosawa instant success, great prestige to Daiei, and the worldwide acclaim he had long desired for Japanese cinema.

Japanese filmmakers quickly stepped in: the first spooky skit appeared in 1898, and the first short documentary “Teodori of Geisha” was released in 1899. Although the early films reflected the development of Western cinema-documentaries, travel stories, and educational films-Japan used the infrastructure of its theater industry to create historical dramas and stories. According to Donald Kirihara (1996), before films such as “Rashomon” (1950) and “Koharu’s Life” (1952) appeared in front of movie audiences in the 1950s, Japanese filmmaking was made in Japan The other regions are relatively unknown (Figure 1).

Today, the Japanese film industry is considered to be one of the best and most exciting in the world. It is currently used by Akira Kurosawa, Kenji Mizoguchi, Yasujiro Ozu, Makoto Suzuki, Takashi Miike, Hideo Nakata and Kiyoshi Kurosawa. Considered by the director. Some of the most respected names in the international film industry. Japanese movies are known for successfully producing movies that reflect Japan’s rich history.

The first of our finest Japanese history films takes us back to 1958 Japan. It examines the growth of the Japanese economy after the shocks caused by the war. The plot of the film also took place when the Tokyo Towers were built.

Yokota shot many of them, the most famous being Imai’s “Until We Meet” (1950) and “Lily Tower” (1953), both of which are very touching, depicting men and women trapped in a war network And children. The films of pre-war masters are more popular than those of Akira Kurosawa, Tada Imai, Keisuke Kinoshita, and Ichikawa Jin, especially those that tried to accept the cruelty of the Japanese and the past decade of persecution. And during the war. Some of the most watched Japanese silent films are those of Mizoguchi Kenji, whose later works (including Uzuki / Uzuki Monogatari) retain a high reputation. Looking back at Japanese films in the 1950s and early 1960s, I think retrospectively that it was the golden age of national cinema, during which their most famous and internationally renowned films were filmed.

It is doubtful whether Japanese films in the 1950s were one of the highlights in the history of world cinema. At that time, Japan achieved a huge international influence in film festivals and art theaters, and consolidated a large number of domestic audiences, thus forming the richest One of the effective movies. The period of filmmaking in the world. It can be said that it is this combination of the recognition of art films and the attractiveness of the national box office that defines this period as the golden age of Japanese movies and also the golden age of world-class movies. This decade began with Akira Kurosawasa Rasomon (1950). He won the Golden Lion Award at the Venice Film Festival in 1951 and the Oscar for Best Foreign Film in 1952, and heralded that Japanese films are in the world Rise on the stage.

This 1954 film marks the seventh collaboration between Director Akira Kurosawa and actor Toshiro Mifune. He is a Japanese male protagonist in the 20th century. His 100th birthday will be in 2020. Known as one of the most visually beautiful movies ever, Yuyue won the Silver Lion Award. The Venice Film Festival in 1953 was one of the films that helped Japanese films reach the world stage. Katsuhito Ishiisa’s award-winning film is an outstanding example of the visually exciting and emotionally engaging films that many Japanese filmmakers are working hard to create today.

Directed by Yasujiro Ozus, Late Spring is a shomin-geki, a type of Japanese film that realistically depicts the everyday life of today’s working-class and middle class. It is a film that captures the life of the lower-class samurai several years before the Meiji Restoration. This film was one of the best Japanese historical films directed by Akira Kurosawa and received 80% approval on Rotten Tomatoes based on five reviews.

Yomota Inuhiko is a short and vivid history of Japanese cinema that shows how cinema tells the history of modern Japan. From silent films and gripping historical films to colorful animation and touching modern dramas; Japanese cinema has a rich and endlessly interesting history that deserves our close attention. Watching the best Japanese history movies is definitely a great way to have fun remembering the past that shaped Japan. Here’s a selection of old and new Japanese films that showcase the best the country has to offer.

Some of the best Japanese films are silent independent films, violent horror films, and heartfelt and thoughtful melodramas. While these are wonderful genres in which some of the best Japanese films have been filmed, you will find that there are as many different genres in Japan as there are in American cinema. The list of the best Japanese films can be next to the list of the greatest films of any country. In conclusion, the historical study of Japanese cinema has only strengthened our belief that Japan has provided the world with some of the most unique and important films to date.

We now have this book, originally released in 2014 by Shueisha under the title “100 Years of Japanese Cinema”, which provides non-Japanese readers with a clear translation of the history of Japanese film Yomotas by Philip Caffin. However, although we are largely unable to use the films of this period to deepen our understanding of early Japanese films, there are still many materials that describe in detail how the film journey in Japan began and how it was in the early days. Developmental. Although many directors, even considered primitive traditionalists, such as Ozu Yasujiro, have been influenced by Americans, the content of Japanese movies comes from Japanese roots with additional elements from Russia, Germany, and France.

Japan 유흥알바 Movie is Kore-eda criticized Cool Japan’s arbitrary and ineffective measures. The best representative is Japan Day (another government public relations initiative). Kumamoto, the cute bear mascot of Kumamoto Prefecture, attended the 2015 Cannes Film Festival party in a tuxedo. Even Yida, who won the Palme d’Or at the 2018 Cannes Film Festival for his acclaimed “The Thief Thief” (Japan was subsequently nominated permanently for the Oscar for Best International Film Award), is working hard to raise funds for his film. Yoji Yamada showcased the commercially successful series Tora-san and other films, most notably the popular Yellow Handparchief, which won the first Japanese Oscar for Best Picture in 1978. This decade began with Akira Kurosawasa Rasomon (1950), who won the Golden Lion at the Venice Film Festival in 1951 and the Honorary Oscar for Best Foreign Film in 1952, heralding Japanese films on the world stage.

His unexpected criticism and international success made Kitano one of the most popular film producers in the country. Although it is directed by Yoshimitsu Morita, who is famous for the hardcore drama “Family Game,” its actual effects and unusual rhythm make it more like a movie by Nobuhiko Obayashi (Houseu).

Of all the films on this list, this is the least typical “Christmas” one, although in my opinion it is also the best. There is enough drama to get you hooked, but presented with ease. The characters are recognizable, the story is fun, and a satisfying ending is a great choice for a romantic Japanese-style Christmas Eve.

Until the Lights Return is the film that Japan is doing well. Merry Christmas, Mr. Lawrence from acclaimed Japanese new wave director Nagisa Oshima is an inspiring fusion of wartime drama and 80s star power (Sakamoto wears new wave makeup all over the place). Rather, it is an exploration of Japanese cultural traditions and external prefectures that are rarely seen in films. Starfish Hotel is a film about alternate and alternate worlds, and therefore could otherwise be called Arisa in the Dark Land.

A teen turns against his family and takes a job as a maid: this is how the Japanese film of 2021 Ito can be described. A Kurdish teenage girl (Arashi Lina) living in Japan sees her life turn upside down when her family’s asylum application was rejected and her father was arrested for illegal work. Rhodesha (Worker) is a short film set in Japan, a cautionary tale about how to define your life based on your work. Directed by Yasujiro Ozus, Late Spring is a shomin-geki, a type of Japanese film that realistically depicts the everyday life of the modern working class and middle class.

Katsuhito Ishiisa’s award-winning film at international film festivals is an outstanding example of the visually gripping and emotionally engaging film that many Japanese filmmakers are now striving to create. Isao Takahatasa’s film is one of the most original animated films ever made. A classic Steven Spielberg film about the war, with the first film role of a young Christian Bale. Battle Royale is one of Japan’s most famous and influential cult films.

Anime was one of Japan’s largest entertainment exports, with Hayao Miyazaki’s films (Spirited Away, Princess Mononoke) in first place. Japanese films (Bang Hua, Hoga) have been produced in Japan for over a century. Japanese filmmaker Tadao Sato recently noted that during the heyday of Japanese cinema, films generated large profits by funding artistically ambitious film budgets.

The number of movies shown in Japan has grown steadily, with approximately 821 movies released in 2006. In the mid-1920s, Japanese movies were more popular than foreign movies, partly because of the popularity of movie stars and the new style of period dramas. Unlike the West, silent movies were produced in Japan until the 1930s. As early as 1938, one-third of Japanese movies were silent.

Japanese horror has always been big business, but The Ring was a movie that caught the attention of the whole world. This is the movie (the mastermind behind the 2002 American remake of The Ring) in which the phrase that the Japanese original was better / scarier was injected into the daily chirping of horror movie fans. This is one of the most moving Japanese films of the century. Ichiyama rates this “portrait of a woman facing the injustice of modern Japanese society” as “possibly Koji Fukada’s best film to date,” said last year’s Director in Focus in Tokyo.

The film starring Yuya Yagira and Masaki Suda won the Best Directing in Cinema award in the Present section of the Locarno Film Festival. The film was not only a critical success and received a standing ovation at the Cannes premiere, but also became one of the highest grossing films in Japan in 2021. The film was screened last year at the Tokyo International Film Festival and other festivals leading up to its screening. its release in June 2021 in Japan.

On December 24, Toho Animation and Studio MAPPA were screened in Japan. Jujutsu Kaisen 0 is the first full movie based on popular anime, and debuted as Japan’s first movie on the first weekend.

Other directors introduced in our guide to certified new films shot in Japan include Hirokazu Ee (hawker), genre idol Takeshi Kitano (Zatoichi), creator of Evangelion Evangelion Hideaki Anno (New Godzilla), The prolific Miike Takashi (audit, 13 Assassins) and Yojiro Takita, his “Leaving” won the 2008 Oscar for Best Foreign Language Film for the first time in Japan. Please note: Although feature film sequels from popular anime or manga franchises are sweeping the Japanese box office in 2021, we are shifting this list to more original movies that show better narrative novelty and social relevance. Every fall, we bring selected movies to Amsterdam on weekends to showcase Japan’s best, strangest and most unexpected movies. These are the fifteen films of the 15th Japan Camera Festival, which will be held in Rotterdam from September 22 to 26 and in Amsterdam, Netherlands from September 30 to October 3.

In Hokkaido, Japan’s northernmost island, 14-year-old native Ainu Kanto seeks a spiritual bond with his recently deceased father. In Kurosawa Kiyoshi’s latest film, the owner of a trading company becomes a witness to a dire state secret in Manchuria shortly before the outbreak of World War II.

The annual Japan Film Academy Awards is sponsored by the Japan Film Academy Association and is considered equivalent to the Oscars in Japan. The Japan Connect Film Festival is held in mid-April every year and is the largest Japanese film festival in the world.

Japanese film sellers have returned to TIFFCOM, and the show has been online for the second year in a row. But if the Japanese film industry is to prosper again, there is still a lot of work to do. Regardless of whether Japanese films can win Oscars, South Korea’s entertainment industry can be a successful example of the troubled Japanese film industry. With the 2021 movie “We Can’t Become Adults”, Japanese movies seem to be learning from China and creating tragic romanticism with a touch of nostalgia.